Tuấn Nguyễn’s ceramic horses appear quiet and playful, like fragments of childhood memories lingering somewhere in the mind. For the artist, working with clay is a way of reconnecting with a long-forgotten instinct, where the hands and imagination are free to wander beyond the boundaries of “right” or “wrong.” Within the ever-changing glaze shaped by fire lie unexpected outcomes, giving each piece a sense of spontaneity, freedom, and emotion.